Then said to the music in the western tradition, etc. Can be more voice polyphony music development law, is this why? People think China should have more advantages to develop music, first multi-tone multi-tone music sure if many people sing or play in childhood, we learned an idiom is "bad", the Yu sucks when many people JiZou popular, but China is not developed, this should belong to the category of music, official orthodox in China with music began after the tang dynasty, the development regularity of the music is XiaJiuLiu society, not only when there is no one to learn general grievous, Europe music since the high TongBian column canticles after the music gradually multi-tone, development rules, in polyphony development rule up later also followed created a harmonic rules, it is close to modern music.
I still feel a bit, music is in the class, and many scholars are slightly a little guqin, this is not the average human, western musicians will be relatively few
Since the western alignment rules and harmony are the basic rules that should improve its application to practice, since the polyphonic development Bach to an unprecedented height was to determine the symphony orchestra compiled to various kinds of color of romantic introduced later instruments, the band of expressive always or strengthening, Chinese orchestra is brought more of a drama, though there are also mix of guangdong music band tune some, but not the mainstream in after all!
首先我覺得應該從定調上來說,中國人用五度相生律,是手工制造的樂器,西方在文藝復興時代之前也是用手工制的樂器,在工業革命之後為了達到樂隊調統壹的目的就采用了標準音的方式,十二平均律和五度相生律定律也不壹樣,中國使用的是用“三分損益法”是五度相生律的基礎，是手工定調，所以很多的民族樂器用鋼琴拌奏起來都很別扭
然後在說到音樂傳統的問題，西方可以將復調等多聲部音樂發展規律起來，這是為什麽？個人認為中國應該更有優勢來發展多聲部音樂的，首先多聲部音樂肯定要是很多人在壹起演唱或者演奏，我們小時候都學過壹個成語是“爛竽充數”，那個時候就流行很多人的大齊奏，但是中國就是沒有發展起來，這個應該是屬於官方正統音樂的範疇，在中國唐帶以後音樂開始就發展規律不前了，學音樂的人都是社會的下九流，不到萬不得已的時候，壹般是沒有人去學音樂的，歐洲自從格利高列統編了聖詠之後，多聲部的音樂逐漸就發展規律起來了，在復調發展規律起來以後也隨之而來創制了和聲規則，這就很接近現代音樂了。
我還覺得有壹點啊，就是音樂在東西方的階級性，很多文人都稍微會壹點古琴之類的，這不是壹般人學得起的，西方的音樂家就相對來說要寬壹些
既然西方的對位法則和和聲規則都基本完善了那就應該把它應用到實踐中去，自巴赫把復調發展到壹個前所未有的高度到海頓確定交響樂團的編制到後來浪漫派的引入各種色彩樂器，樂隊的表現力總是要不段的加強，中國樂隊更多的都是拿來個戲曲拌奏，雖然也有廣東音樂壹些樂隊用曲子，但在當時來說畢竟不是主流！