< time >: May 8, 2020
< language >: a mixture of Chinese and English
琺華彩又稱“法華”，是壹種低溫釉陶瓷，創於元代，盛於明代，至清代仍有少量燒制。琺華彩最早是在山西蒲州陽城、高平和晉城壹代燒制，常見器型有花瓶、香爐和動物等。當時琺華彩器只是地方民窯的壹個品種，所用胎體皆為陶胎，分為砂胎與缸胎兩種，砂胎疏松，缸胎堅細。裝飾手法是在修好的胎體上先雕刻花紋圖案的輪廓淺條，再用毛筆蘸瓷漿在紋飾輪廓線中堆起凸起的線條，入高溫燒成素胎，再在燒好的素胎上按花紋圖案的需要，施以藍、白、黃、紫、綠、孔雀藍等彩釉，並二次入窯低溫燒成。器型有瓶、罐、缽等;常見的紋飾有花鳥、雲龍、人物等，色彩濃艷，紋飾具有立體感。山西所產琺華彩器燒制年代較早，傳世的早期琺華彩器已少見。
Enamel, also known as "fahua", is a kind of low-temperature glaze ceramics, which was founded in the Yuan Dynasty and flourished in the Ming Dynasty. Enamel was first made in Yangcheng, Gaoping and Jincheng of Puzhou, Shanxi Province. There are vases, censers and animals. At that time, the enamel ware was only a kind of local folk kiln, and the carcasses used were all pottery carcasses, which were divided into two types: sand carcasses and cylinder carcasses. The sand carcasses were loose and the cylinder carcasses were firm and fine. The decoration method is to carve the outline of the pattern pattern on the repaired carcass first, and then dip the brush into the porcelain paste to pile up the raised lines in the outline of the pattern, and burn them into the plain tire at high temperature, and then apply the blue, white, yellow, purple, green, hole bird blue and other colored glazes on the burnt plain tire according to the pattern requirements, and burn them into the kiln at low temperature for the second time. There are bottles, pots, bowls and so on; the common patterns are flowers and birds, clouds and dragons, people and so on, with rich colors and a three-dimensional sense. Shanxi's Enamel wares were fired early, and the early ones handed down are rare.
明代晚期以後，江西景德鎮仿制的較多，然而用的是瓷胎。法華彩瓷器造型莊重大方、色彩濃艷、立體感強，這是它的特點。法華器的器型以罐和瓶居多，人物造像有為出眾-圖案以人物和花鳥為主。
After the late Ming Dynasty, Jingdezhen in Jiangxi Province imitated many of them, but the porcelain body was used. Fahua color porcelain is characterized by its solemn and generous shape, rich color and strong three-dimensional sense. Most of the vessels of fahua ware are pots and bottles, and the figures are outstanding - the main patterns are figures, flowers and birds.
明代景德鎮所產琺華彩與山西琺華彩在制作工藝上基本相似，在制作中由技術高超的工匠立粉填彩，因此景德鎮琺華彩器藝術價值較高，較受藏家歡迎，特別是明早期至明晚期的琺華彩器。嘉靖朝琺華彩器也受到同期陶瓷紋飾的影響，多是壹些含有道教意義的紋飾。
In the Ming Dynasty, Jingdezhen's enamel is basically similar to Shanxi's in terms of production technology. In the process of production, skilled craftsmen set up powder to fill the color. Therefore, Jingdezhen's enamel is of high artistic value and more popular with collectors, especially from the early Ming Dynasty to the late Ming Dynasty. During the Jiajing period, the enamel ware was also influenced by the ceramic patterns of the same period, most of which were of Taoist significance.
琺華彩器是由山西晉南地區所創燒的民窯器，在早期的產品中，山西琺華彩器較多。陶胎的琺華彩器，胎體不堅實，釉質附著力差，剝釉、磨損嚴重造成了山西琺華彩器傳世品較少，且品相較差。山西產的琺華彩器只是民窯中的壹個品種，受文化、地域因素影響，在制作中隨意性較大，產量不多，沒能形成較大的收藏體系。
Enamel ware is a kind of folk ware created and burned in Jinnan area of Shanxi Province. In the early products, there were many enamel ware in Shanxi Province. The porcelain body is not solid, the adhesion of enamel is poor, and the peeling and abrasion of enamel are serious, which results in less handed down products and poor product phase. Shanxi's enamel ware is only a kind of folk kiln. Influenced by cultural and regional factors, it is more random and less productive in the production, which fails to form a large collection system.
近幾年，隨著大規模的土地開發和高速公路建設，中國民間湧現出壹批精美的元代法華彩瓷器流入市場。元代法華彩瓷器精品逐漸浮出水面，為人們對元代法華彩瓷器的認識提供了壹個新的視界。如何認識中國元代瓷器存在的現狀?如何界定元代瓷器的特征?如何深入了解元代文化的豐富多彩的內涵?如何在這壹基礎上進壹步了解中國文化的精髓，從而擴大與世界其他文明的對話和交流?等等，就成了我們面臨的重大任務。及時搶救和保護處於生存困境中的民間元瓷文化遺產，成為時代賦予我們的歷史使命。
In recent years, with the large-scale land development and highway construction, a number of exquisite French and Chinese porcelain of Yuan Dynasty came into the market. The fine porcelain of the Yuan Dynasty gradually emerged, which provided a new vision for people's understanding of the porcelain of the Yuan Dynasty. How to understand the current situation of China's Yuan Dynasty porcelain? How to define the characteristics of Yuan Dynasty porcelain? How to deeply understand the rich and colorful connotation of Yuan Dynasty culture? How to further understand the essence of Chinese culture on this basis, so as to expand the dialogue and exchange with other civilizations in the world? And so on, have become major tasks we are facing. To save and protect the cultural heritage of folk meta porcelain in time has become our historical mission.
據了解瓷器拍賣市場，也是出於持續增值當中，去年三月春拍中國大藏家出手闊綽的表現，簡直讓已經在紐約開拍的佳士得拍賣行們趕到幸福來得太突然。對於深圳國枰、佳士得、保利等在香港舉行藝術品春拍的機構來說，突如其來的高成交，讓原本的擔心消失無蹤。其特殊的裝潢效果和獨特的地方特色，成為中華陶瓷史上的壹朵絢麗奇葩，其稀有程度及收藏價值也是不可估量的，在各大拍場上也是十分罕見,極具收藏價值。
It is understood that the porcelain auction market is also out of continuous appreciation. Last March's auction of Chinese collectors' extravagant performance made Christie's auction houses, which have already started in New York, rush to happiness too suddenly. For Shenzhen Guolian, Christie's, poly and other institutions that hold art Spring Festival photos in Hong Kong, the sudden high turnover makes the original worry disappear. With its special decoration effect and unique local characteristics, it has become a gorgeous and wonderful flower in the history of Chinese ceramics. Its rarity and collection value are also immeasurable. It is also very rare and has great collection value in various shooting fields.
此件藏品為弘治年制《黃地琺華彩鳳尾瓶》，國枰拍賣近日有幸征集到的精品陶瓷之壹，將於2020春季拍賣會——廈門站進行精品推薦，有意向的買家可留言咨詢或前往廈門瑞頤大酒店進行預覽，獲取藏品最新動態。